Passing & Control

Passing

There are several consistencies of Passing that we also discuss in Heading, Juggling, Striking the Ball with the Laces. These consistent factors are where we want to start, but we must also look at what really happens compared to those myths of passing that you will see on other video, hear on training fields, and read in soccer books.

Non-kicking foot is placed behind the ball not beside the ball which is generally taught. When you watch the video and when you look at the Hit & Split technique, notice that the plant foot is placed behind the ball and it is the toe that is barely overlapping the ball. We say that inside of the foot passes are played 'Off the Toe'. This doesn't mean that we kick the ball with the toe, but it does mean that the ball is just in front of the non-kicking or plant foot.

Like Ball Striking with the laces, we want to forget that leaning back makes the ball go up in the air. We can play a pass with the inside of the foot without leaning over top of the ball. In fact if you look at the frozen frame of the video above, you will see that the passer has hips forward and shoulders back. And as we have spoken to with several other techniques, the longer body allows for a greater pre-stretch, thus a more dynamic stretch-reflex to be utilized. The passer with the open body uses more than just the hip flexors to generate power on the pass. After the ball contact, the passer should have to step backwards with the kicking foot to catch their balance if their weight is back and on the heel throughout the technique.

Let's address two other factors that are often referenced with regard to the direction that the feet point during an inside of the foot pass. First, the plant foot is open to the target, meaning, it is better to point the toe out instead of at the target which is generally coached. This makes for a more comfortable swing of the other leg, helps with balance helping keep the weight on the heel, and it also invokes slightly more stretch reflex (much like Ball Striking with the laces). Second, it is often coached that the kicking foot should point directly out to the side so it is perpendicular to the line of flight of the pass and is opened up like a putter in golf so that the flat surface ensures a straight pass. Unfortunately, this does not guarantee a straight pass, and when these two foot positions are coached together they form a very uncomfortable 'L' shape between the two feet (if the player is hitting a ball with the right foot that is).

Instead, consider that the toe of the non-kicking foot be pointed out (open to the target) and the kicking foot is also open to the target forming a 'V' with the two feet. This may imply that their will be a slight spin on the pass, and this will happen, however this spin when controlled by learning the contact spot on the ball is a necessary skill. The 'V' position will also bring forth stronger and more accurate passing when combined with an open body of shoulders back and hips forward.

The contact point on the foot, is back by the ankle so there is a large area and the toe should be up and locked (this is one of two positions that the foot can be locked firm because of bone on bone flexion or extension (striking with the laces requires extension)).



Controlling a Ball on the Ground

Controlling a ball on the ground or slightly in the air is essentially a reverse of passing. The posture should be similar, although there are times when the upper body bends forward slightly because of the movement of the body as a whole. We have always been told that as the ball comes to use, we should attempt to absorb the ball like catching an egg by drawing the foot or other body part backwards. This cushioning works if the ball is traveling very slowly, but at the top level of the game, players consistently draw the body back instead of a single body part (i.e. foot, thigh).

This effective means of controlling the ball involves two factors. First, a body that is in the air when the contact with the ball is made will always take up some of the energy that the ball has in it. Consequently, a player should attempt to be in the air on their first touch. Second, instead of jumping up to be the air (the ball may go underneath your foot) the player controlling should hop or push themselves backwards. This doesn't require them being very high off the ground, in fact with practice, it seems as though the sole of the shoe is just barely off of the ground and still in the grass as they move backwards. The controlling foot is out in front of the body and the ball is most often controlled 'off of the toe'. Again, this does not mean with the toe, but simply the position relative to the body. And like passing, the ankle should be locked with the toe pointing up.

In the below example it is clear that the players are hopping backwards ('in air on first touch'), but it is a work in progress and as they begin to 'test' one another with harder and hard passes their first touch occasionally runs away from them. Players should be encouraged to test each others ability to deal with firmly hit passes.  This is part of reaching to the next level of competence.



Opening Up

Opening-up is the next level of controlling.  Often referred to as controlling with the back foot because it is the foot farthest from the passer or the front foot as it will be the foot farthest forward if the player is facing forward after the touch. Either way, opening-up is one of the essential techniques.

The exercise below involves four players working around the outside of a triangle made with cones.  Extra balls are on the inside as this is space unused in the exercise and the players only work on the outside of the triangle. Players take two touches, one to control and turn their body in the direction of their pass, and a second touch to pass. Players are encouraged to hop backwards on the first touch to take the pace off of the ball and they should be reminded to remain balanced on their pass and maintain an upright posture.

Following the pass, the player moves to the next cone and waits for the ball to travel around the triangle.



Getting the Ball on the Ground

It is much easier to make a decision during a game when the ball is on the ground. Obvious observation. However we know that the ball is often in the air. Consequently, we must practice the techniques which are critical to getting the ball back on the ground and under a players' control. If a player cannot control a ball, then they rely on the cushion of the field and gravity to get the ball settled. These unfortunately require time; time that defenders are able to use to close down.

You can control a ball quickly in tight spaces with the top of the foot, a technique we call a 'dead touch' because it deadens the ball quickly.  This technique is often taught incorrectly.  It is not a matter of lifting the foot up high and then catching it like an egg which is primarily the analogy used. The dead touch requires the player to keep their foot as close to the ground as possible and then just on contact, pull that foot back and into the ground.  We do not have video of this at present, but as soon as we do it will be up online for you.

"Find The Bounce". This is a statement which is critical during training sessions (both individual and team) and games. It is the essence of controlling from the air, but you would be surprised how few players consistently 'find the bounce' when they play.

So, what am I talking about? Controlling on the bounce, is 'Controlling on the Half-volley', or as a mentor of mine once referred to it as 'the Wedge" (as you wedge the ball into the ground). Just after the ball hits the ground is the best time to make contact with the ball, deflecting it back to the ground. This provides the least bounce with a single touch and the ball is quickly rolling on the ground. Often you will see players control by lifting their foot up high (perhaps knee high or higher) and then attempt to push the ball back to the ground to only find that it bounces up again.

Why not just push it to the ground or ‘get over top of it and knock it down’? It is simple physics that the higher your last contact, the greater distance the ball has to fall, the higher the ball will bounce up again. Of course if you are on a muddy grass field, the ball will not bounce; on a soft grass field brings more bounce; harder Bermuda-grass field even greater bounce; then of course there is indoors, turf fields and solid dry fields with little to no grass where you will find a lot of bounce. There is a reason why players who grow up in drier climates playing on hard fields, or players who play a great deal of indoor or turf soccer, have developed this technique. Why? Necessity.  Without them taking a touch just as the ball is on the way up off of the ground they would forever be volleying the ball. Watch less skilled players. It isn’t that they solely kick the ball up in the air too often but the real problem is in that they cannot get it to the ground efficiently or quickly enough because they are too impatient to wait for the bounce or have not received the coaching on how to get it down. It is a simple technique that requires a lot of training.

Several of the coaching points below will be repeated in the pages to follow on specific techniques; however, because of the value of this technique, they cannot be written or read too many times.

Ball Control From the Air

  1. Get behind the flight of the ball,
  2. Select the controlling surface early,
  3. Place the controlling surface (top of foot, inside of foot, thigh, chest) into a position that provides an angle where the ball will be cushioned within the player’s ‘controlling space,
  4. The player may be able to get themselves slightly off of the ground in order to take momentum away from the ball,
  5. Relax on contact,
  6. If the first touch is not a 1/2 volley then attempt to make the second touch a ½ volley.

12/2006

Control on the 1/2 Volley With Inside of Foot

Teaching Points:
  • Tuck the knee in over top of the ball ("Cover the ball with your knee"),
  • Use the inside of the foot, not the sole of the foot,
  • Hop (take off and land on the same foot) as they control the ball ('be in the air on the touch'). In general the player will be on the way down when they make contact or just making contact with the ground...although they are not always in the air on their touch when controlling with the half volley, they remain balanced and fully in control of the controlling foot. The player should be able to land and still be standing on the foot that they hopped on - this is the balance that they need to develop. This hop takes the momentum from the ball and transfers it into the player's body if they are still in the air; HOWEVER, the key is to remain on one foot while they have complete freedom to manipulate the ball with the other foot without having to worry about landing on the controlling leg,
  • Ball should land in the same spot every time if they do the footwork early .... 'between your toes' (not too far to the side or in front of the player),
  • Keep toe up and ankle locked,
  • Stay relaxed on contact ... do not kick down on the ball (in other words do not kick-start the ball back into the ground).




Progressions: 
  1. Player tosses the ball in the air only about face height ... control on the first bounce with the turn,
  2. Player tosses the ball in the air over head height ... control on the first bounce with the turn,
  3. Player tosses the ball out in front over head height ... control on the second bounce with the turn (forces players to be patient ... "wait for the bounce"),
  4. Player tosses the ball in behind over head height ... control on the second bounce with the turn (forces players to be patient and to work their feet to get close to the ball and balanced.
 Remember When Controlling the Ball From the Air

  1. Get behind the flight of the ball,
  2. The player may be able to get themselves slightly off of the ground in order to take momentum away from the ball,
  3. Relax on contact,
  4. If the first touch is not a 1/2 volley then attempt to make the second touch a ½ volley.

1/2 Volley Turn with Inside of Foot

Teaching Points:
  • Tuck your knee in over top of the ball (Cover the ball with your knee),
  • Use the inside of the foot, not the sole of the foot,
  • Hop (take off and land on the same foot) as you control the ball ('be in the air on your touch'). In general you will be on  your way down when you make contact or just making contact with the ground...although you are not always in the air on your touch when controlling with the half volley, you are forcing yourself to remain balanced and fully in control of  your controlling foot. You should be able to land and still be standing on the foot that you hopped on - this is the balance that you need to develop. This hop takes the momentum from the ball and transfers it into your body if  you are still in the air; HOWEVER, the key is to remain on one foot while you have complete freedom to manipulate the ball with the other foot without having to worry about landing on the controlling leg,
  • This the point which is different:  It is easier to turn while in the air, so as you HOP, turn your body and make contact with the ball using the inside of the foot ... like an inside of the foot twist off or hook turn when the ball is on the ground,
  • Ball should land in the same spot every time if you do the footwork early .... 'between your toes' (not too far to the side or in front of you),
  • Keep toe up and ankle locked,
  • Stay relaxed on contact ... do not kick down on the ball (in other words do not kick-start the ball back into the ground).



Progressions: 
  1. Toss the ball in the air to yourself only about face height ... control on the first bounce with the turn,
  2. Toss the ball in the air to yourself over head height ... control on the first bounce with the turn,
  3. Toss the ball out in front of you over head height ... control on the second bounce with the turn (forces players to be patient ... "wait for the bounce"),
  4. Toss the ball in behind you over head height ... control on the second bounce with the turn (forces players to be patient and to work their feet to get close to the ball and balanced.
 Remember When Controlling the Ball From the Air

  1. Get behind the flight of the ball,
  2. The player may be able to get themselves slightly off of the ground in order to take momentum away from the ball,
  3. Relax on contact,
  4. If the first touch is not a 1/2 volley then attempt to make the second touch a ½ volley.

1/2 Volley Turn with Outside of Foot

Teaching Points:
  • Ball should land in the same spot every time if they do the footwork early .... 'where the controlling foot leaves the ground' (not too far to the side or in front of them), 
  • Tuck your knee out over top of the ball ("Cover the ball with their knee"),
  • Use the outside of the foot, not the sole of the foot,
  • Lean over top of the ball but remain balanced,
  • Hop (take off and land on the same foot) as they control the ball ('be in the air on their touch'). In general the player will be on the way down when they make contact or just making contact with the ground...although they are not always in the air on their touch when controlling with the half volley, they remain balanced and fully in control of their controlling foot. They should be able to land and still be standing on the foot that they hopped on - this is the balance that they need to develop. This hop takes the momentum from the ball and transfers it into the body if they are still in the air; HOWEVER, the key is to remain on one foot while they have complete freedom to manipulate the ball with the other foot without having to worry about landing on the controlling leg,
  • This the point which is different:  It is easier to turn while in the air, so as they HOP, turn the body and make contact with the ball using the inside of the foot ... like an inside of the foot twist off or hook turn when the ball is on the ground,
  • Keep toe up and ankle locked,
  • Stay relaxed on contact ... do not kick down on the ball (in other words do not kick-start the ball back into the ground).




Progressions: 
  1. Player tosses the ball in the air only about face height ... control on the first bounce with the turn,
  2. Player tosses the ball in the air over head height ... control on the first bounce with the turn,
  3. Player tosses the ball out in front over head height ... control on the second bounce with the turn (forces players to be patient ... "wait for the bounce"),
  4. Player tosses the ball in behind over head height ... control on the second bounce with the turn (forces players to be patient and to work their feet to get close to the ball and balanced.
 Remember When Controlling the Ball From the Air

  1. Get behind the flight of the ball,
  2. The player may be able to get themselves slightly off of the ground in order to take momentum away from the ball,
  3. Relax on contact,
  4. If the first touch is not a 1/2 volley then attempt to make the second touch a ½ volley.

1/2 Volley Cruyff Turn

Teaching Points:
  • Ball should land in the same spot every time if the player does the footwork early .... 'behind the standing heel' (not too far to the side or in front of of them), 
  • Tuck the knee in over top of the ball ("Cover the ball with the knee"),
  • Use the inside of the foot, not the sole of the foot,
  • Hop (take off and land on the same foot) as they control the ball ('be in the air on the touch'). In general the player will be on their way down when they make contact or just making contact with the ground...although they are not always in the air on their touch when controlling with the half volley, they remain balanced and fully in control of  their controlling foot. They should be able to land and still be standing on the foot that they hopped on - this is the balance that they need to develop. This hop takes the momentum from the ball and transfers it into their body if  they are still in the air; HOWEVER, the key is to remain on one foot while they have complete freedom to manipulate the ball with the other foot without having to worry about landing on the controlling leg,
  • This the point which is different:  It is easier to turn while in the air, so as you HOP, turn the body and make contact with the ball using the inside of the foot ... like a Cruyff Turn when the ball is on the ground,
  • Keep toe up and ankle locked,
  • Stay relaxed on contact ... do not kick down on the ball (in other words do not kick-start the ball back into the ground).




Progressions: 
  1. Player tosses the ball in the air only about face height ... control on the first bounce with the turn,
  2. Player tosses the ball in the air over head height ... control on the first bounce with the turn,
  3. Player tosses the ball out in front over head height ... control on the second bounce with the turn (forces players to be patient ... "wait for the bounce"),
  4. Player tosses the ball in behind over head height ... control on the second bounce with the turn (forces players to be patient and to work their feet to get close to the ball and balanced.
 Remember When Controlling the Ball From the Air

  1. Get behind the flight of the ball,
  2. The player may be able to get themselves slightly off of the ground in order to take momentum away from the ball,
  3. Relax on contact,
  4. If the first touch is not a 1/2 volley then attempt to make the second touch a ½ volley.